Tuesday, December 29, 2009

Olaf, Ghosts, and Dance

I first saw this video 6 years ago at the Skin Tight exhibition at the MCA. It was being projected on to the back wall and was the only thing that captured my attention (besides the robot dress). Mostly this video is creepy and disturbing but there's an element of playfulness to it. I went through hell and high water to find and post this but now that I have, I'm as happy as a pig in excrement! Excuse the video's poor quality but try to enjoy it none the less.

video
Ghosts, 2003 by Olaf Breuning and Bernhard Wilhelm


Speaking of being insanely happy, I just found out The MCA will be hosting the Akram Khan Company in February! They'll be performing Bahok and if you are a loyal reader of this blog (and I know you are) you'll know that I posted about them way back in December of last year!!

A little taste of Bahok:


I hope everyone else is having a nice low key day!

Saturday, December 26, 2009

Black Black Red



For some reason, it's impossible for me to complete a drawing in one sitting. I obsess over it for a few weeks and collects tons of images, then I eventually sketch out the basic ideas. I tend to forget about it for about a month and then come back to it later to add the ink and detail. A hint as to what I'm currently drawing:



I watched District 9 last night and it's still sitting heavily with me. I'm not sure how I feel about the movie as a whole but it made some very valid points about how the government sections off certain groups with the intention of keeping order but it ends up making things more chaotic. The whole film is a very obvious metaphor for the apartheid and racial relations in Johannesburg which seem to be far from resolved. In spite of the film's message I couldn't help but think to myself how gross and scary the aliens looked and how I wouldn't be able to bring myself to interact with them.

I thought a little bit of Nathalie Djurberg's work. She is a Swedish artist that uses detailed plasticine puppets to make stop motion animation videos. Her work is a mixture of sweet and sadistic and she frequently explores the darker aspects of humanity using this seemingly "low tech" medium. The only aspect of her work that makes me a little apprehensive is her portrayal of minorities. Most of the black people in her animations appear as if they have on black face (black skin and big red lips) and they usually wind up being the sexual play- thing of the seemingly white puppets or they terrorize the predominantly white cities and eat bananas.

still from Badain, 2006

still from In Our Own Neighborhood, 2007

I understand that this is not to be taken literally. But I don't think it's enough these days to say "This is a commentary" without understanding who it's a commentary for and with what purpose. Most of the interviews I've read with her discussing her art, she does not touch on its racial elements. None the less, her puppets are beautiful and I feel as if she's living my dream.